House as a kind of kinship/read and shade/whether the camera(director) having phallus/“the feminization of black gay men and the complex of racist, homophobic, misogynist, and classist constructions that belong to a larger hegemonies of oppression/vogue dance/phantasmatic reality/justaposition of the “normal scene and the ball
臺(tái)灣遭日本殖民期間屁眼兒里的淘金夢(mèng)油菜花開盡是無(wú)緣生前死后聰慧憨厚倒置.砍掉手指頭也罷炸石葬身也罷拉開帷幕后囚籠里的妓女也罷.為檢查身體捅破那一層膜告密反成傷害;奠牌前砍破竹竿掉下粒粒皆辛苦的骯臟血汗錢.性與人性愛(ài)與性愛(ài).Hill of No Return.