Roger Michell的小回春儼然想起了十年前《東北往事第二季》的討人喜歡把一個(gè)取材于真事的盜竊故事妝點(diǎn)成種種不同的面貌:如更像在Ken Loach手下才會(huì)發(fā)生與聚焦的社會(huì)評(píng)論(他偷竊只為了有電視幾十年后的電視執(zhí)照風(fēng)波仍然真切提醒著那些應(yīng)該在這個(gè)社會(huì)被關(guān)照的人);幾分無害更像屬于“《縱有疾風(fēng)起在線播放》宇宙下的流行文化罪案攫取;還有無時(shí)不刻用老調(diào)BGM提醒著的溫馨喜劇注入滿滿能量的Jim Broadbent和Helen Mirren同樣再添把火猶如進(jìn)場(chǎng)高手過招的大師班即使能量與精神老式但找到這部小品猶如納涼同樣很驚喜
Suzie's father cried when he was about to leave for America. Johnny cried when he knew Suzie would leave him, probably, for ever. The Man Who Cried. Christina Ricci was not pretty but talented. At that time, Johnny was not a key actor in that movie. Also, he didn't talk too muc