還是哈隆自Un homme qui crie以來無法擺脫的“急迫性/emergency(幾處敲門戲)——如果說導(dǎo)演在“消費(fèi)女性苦難觀眾是否也在“消費(fèi)非洲為何非洲的苦難必須“更加深刻為何被永遠(yuǎn)標(biāo)識(shí)為預(yù)設(shè)的“差異car un homme qui crie n'est pas un ours qui danse
Mitzi’s driving to the tornado scene got me thinking of Gladys in Blonde driving to the fire, and Michelle has portrayed Marilyn as well, a little bit of fun in that. But about the camera capturing the detail of life, I think YI YI have done a better demonstration.