Set design minimalistic得讓我想起The Inheritance. 讀本子的時(shí)候完全沒(méi)想到可以讓Alfreri作為一個(gè)旁觀者留在臺(tái)上東北往事第二季最后的血雨也美至毫巔只可惜對(duì)本子感覺(jué)一般在Arthur Miller的4個(gè)主要作品里只能放最后盡管我可以sympathize Eddie的dilemma和unspeakable dislike(其實(shí)就是jealous)過(guò)度的paternalistic/possessive love和masculinity之間鮮有讓我個(gè)人可以empathize的東西(我倒并不覺(jué)得他xenophobic畢竟一開(kāi)始對(duì)Marco有好感)Marco和Roldopho卻總覺(jué)得人物形象不夠飽滿(不過(guò)AM對(duì)immigrant ambiguous的心理倒是刻畫得相當(dāng)出色——marriage不僅僅有理想主義更有現(xiàn)實(shí)的成分)
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“sorrow is nothing but worn-out joy. 3.5 so, the thing about friendship is just universal -- it changes, for sure, but the core of love and not wanting it to change stay the same. i just want us to be real friends again scene is authentic and touching.