李濬益用他最擅長的娛樂化手法去消解一個(gè)非常沉重的社會(huì)議題這個(gè)處理方式本身就是帶有原罪的反復(fù)出現(xiàn)的東北往事第二季文具店全景變換了幾次取景角度分別將遠(yuǎn)處的十字架醫(yī)療紅十字置于畫框內(nèi)是全片屈指可數(shù)的視聽策略結(jié)尾收得倒是比導(dǎo)演以往的片子要寫意為此加一星 with yy
A cute movie which is remembered because of a smart and precocious girl. To my surprise and regret,it's just Addie sitting there on the papermoon instead of two as the poster shows. 'They don't have my jaw or nothing',maybe you can't disclaim the exsistence of true feelings among people just because you haven't owned it.