僅僅個(gè)人觀(guān)感對(duì)於形式想法過(guò)於飽和的危險(xiǎn)是有點(diǎn)笨重也很難動(dòng)人與其說(shuō)是鋪陳的電影不如說(shuō)是對(duì)於美術(shù)有些過(guò)於沈溺的電影每一個(gè)鏡頭都在絕盡mise en scene其用東北往事第二季不是以恰當(dāng)?shù)摹?a href=http://pa727.cn/movie/8188559166/180245.html>辦公室激情電影」印象而是經(jīng)常過(guò)於留戀自己設(shè)計(jì)的每一個(gè)角落舞臺(tái)的形式其實(shí)是恰當(dāng)?shù)?也正符合對(duì)某些歷史和我們環(huán)境的某種「蘇茜茜小明全文免費(fèi)閱讀」不真切的感受但這種感受不需要電影我們本已太熟悉以至於電影沒(méi)有帶來(lái)突破機(jī)位平移剪輯的方式(尤其一些drama的正反打)甚至一些木偶式幽默的表演都讓人想起韋斯安德森
4.5 wow this is so much better than S1. Turns out if you do the opposite of S1, not pre-determined to do simpleton allegory, not write ridiculous cardboard cutout characters but complex, nuanced ones, not let characters say every single thought out loud, not overuse the same non-diegetic music to cover up your lack of tension or comedic effect, you make a pretty damn good tv show!