如許多佩措爾德的作品一樣《傍車女》的劇情發(fā)生在被藝術(shù)架空了的時空里它不是現(xiàn)實卻與一切偉大藝術(shù)作品一樣無比真實這便是戰(zhàn)后德國真空一樣的當下“時空層過去一片狼藉未來遙遙無期死了一次的女主角希望通過外貌的復(fù)原來回歸她過去的身份而以男主為代表的德國人則用遺忘而試圖徑直走向未來到了最后女主的tomorrow is here而男主則被留在了過去的地獄里受到良心拷問這就是電影里終極的分裂
I got up early today. It was still dark. I went down by the side of the loch. I saw the sun come up over the sea and the birds out flying. And I thought about how beautiful this world is. And how much I miss it when I'm under the water. And then I thought of you.