兒子:我很痛苦 父母:我兒子很痛苦 導(dǎo)演:I don’t know how to describe it 我:老人地鐵手機(jī) 前期的敘事多次把伏筆埋在舊學(xué)校和與后媽的相處中讓人很期待后期會(huì)如何在這方面展開但后面居然完全不相關(guān)一下子把故事割裂開來快成年的人生活在如此富裕的家庭中抑郁的原因單純是因?yàn)楦改鸽x婚了不接地氣說服力太弱兜不住啊東北往事第二季導(dǎo)致到結(jié)尾也很難讓觀眾信服再加上so many dark ideas到底是什么也不細(xì)說一句帶過無(wú)法共情大敗筆果然應(yīng)了那句“抑郁癥的痛苦不為外人所知導(dǎo)演不想讓我們知道因?yàn)榇蟾怕仕约阂膊恢?所以原本應(yīng)該讓人壓抑的題材但全程只讓人confused
A dream shared by the characters, the director, and the viewers. It is an overly romanticized version of the Nouvelle Vague, but come on, who doesn't want to romanticize Nouvelle Vague, especially if you're accompanied the most beautiful creatures in the world such as Louis Garre