丟失總是雙向的女兒失去了母親也就迷失了忽然意識(shí)到以往大多數(shù)影視作品對(duì)母職體驗(yàn)的描摹都是有意無(wú)意想象性的育兒之苦無(wú)非幾聲哭一場(chǎng)病戲份都是要騰出來(lái)留給兒童無(wú)邪母性無(wú)私的(看看阿莫多瓦那平行母親輕輕松松都不妨礙克魯茲和她的家居繼續(xù)美麗)要么就是戲劇性英雄化的含辛茹苦回避身為人母的日常經(jīng)驗(yàn)繁瑣堆疊也就驅(qū)逐了普通觀(guān)眾代入的可能即便有些離經(jīng)叛道的母親遺棄家庭也絕少刻畫(huà)她還“在職的前史而都是“離職后孩童無(wú)辜母親有愧的后傳你想曬會(huì)兒太陽(yáng)椅子有人幫你挪選擇了做母親當(dāng)然應(yīng)對(duì)子女負(fù)責(zé)但母性陰影后那個(gè)曾經(jīng)完整的自我她的抑郁疼痛又該何處去說(shuō)呢那首好聽(tīng)的theme名為L(zhǎng)et Me Tell You All About It
It's weird that I found a popcorn movie so deep on so many levels, like 1) the notion that you follow a daily routine but are free to break through it, 2) we may be programmed in this way or that way but that doesn't mean our life is in any way less real, 3) how love completes you as a human being, and 4) how satisfying it is to create something