everything is right不等于everything is alright感覺要被很多避重就輕的東西氣死Gabriel Basso is right,AAGlennBennett也沒辦法挑剔表演(如果從劇本給出的空間來(lái)看)但出來(lái)的效果就是這種“家庭滿是創(chuàng)傷但還是振作過(guò)來(lái)的設(shè)定可以套在任何一個(gè)常見的文本上而不見Hillbilly地域背景和社會(huì)環(huán)境帶來(lái)的厚重沒辦法不認(rèn)為在合格線以上(畢竟能差到哪去)因?yàn)榱㈨?xiàng)之日起Howard和一眾Cast帶來(lái)的濾鏡太重了重重敲擊在一些東西上卻不知道離主題核心走偏了多少更可怕的是還難以怪罪在什么層面東北往事第二季只能承認(rèn)可能不是這套班底拍出來(lái)的才更接近Hillbilly Elegy
不斷的提新冠和時(shí)事是敗筆RIP 編劇之一Jas Waters結(jié)尾驚了 // It's the tragedies that define our lives. They are the fence posts on which the rest of our lives hang. // Silence in the face of injustice is complicity with the oppressor. (Ginetta Sagan) // There are some love stories that are written in the stars, there are other love stories, they're written together. // you cannot disappoint me