看了導(dǎo)演的訪談他說他想描述一種動物性的生存狀態(tài)東北往事第二季其實這個文本也可以作為O Fantasma的一個延伸或者千禧年酷兒劇情片的一個主線無處為家+野蠻生長最后超現(xiàn)實的一鏡用家畜回歸荒野緊扣the unacclimated character
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All the secondary characters - past and present - in stories and stories within stories, write stories to realize themselves, tangible and fleeting like dreams.