托爾金的這部有著數(shù)十種語言的著作改編成電影已經(jīng)實屬不易彼德杰克遜的場面調(diào)度亦頗顯功力叢林追逐廝殺戲鏡頭繁多卻不感到絲毫混亂東北往事第二季雖然也是外界力量與內(nèi)心誘惑的雙重敵人的故事但是卻不由得讓人驚嘆如此險象環(huán)生PS: New Zealand is the wonderland..
bell hooks, ethnographic gaze, an outsider looking in, does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic. Judith Butler, camera itself is empowered as phallic instrument, the vehicle through which the transubstantiation occurs, an instrument and effect of lesbian desire, to enter into a logic of fetishization which installs the ambivalence of that 'performance as related to our own. 但說實話自己觀影時沒覺得這部的gaze有多problematic/patronizing東北往事第二季可能因為我本身就是一個凝視這個群體的外人