想到小李子版的<羅密歐與朱麗葉>經(jīng)典名著改編的劇本毋庸置疑的扎實(shí)但演員們的狀態(tài)還是有點(diǎn)時(shí)而入戲時(shí)而游離體現(xiàn)在觀影過程中我總隔一段時(shí)間意識(shí)到攝影機(jī)的存在東北往事第二季可能省略了很多原著的鋪墊大多時(shí)候我只理解卻不動(dòng)容;而同樣拍四個(gè)姑娘我對(duì)<海街日記>這樣細(xì)節(jié)見長(zhǎng)的故事會(huì)更容易共情另外女性主義電影近年大行其道越來越審美疲勞了我只是單純想看一部女性電影而非女性主義電影后者或多或少對(duì)精神有一種無形壓迫讓人覺得心累// PS. 攝影色調(diào)和服裝質(zhì)感俱佳;甜茶精致的就像米開朗基羅的雕塑
“Women have minds and souls as well as just hearts, and they’ve got ambition and talent as well as just beauty. And I’m sick of people saying that love is all a woman is fit for. I’m so sick of it! But – I’m so lonely! 【東北往事第二季】