意外的不喜歡結(jié)尾絲毫不能感動(dòng)我最后的蒙太奇重新演繹了一系列“如果卻回避了最關(guān)鍵的選擇分支女主去巴黎前他們感情協(xié)商的結(jié)果是wait and see影片的“童話敘事導(dǎo)致其對(duì)現(xiàn)實(shí)問題的刻畫筆觸虛幻而薄弱刻意對(duì)男女主圓夢(mèng)前后的階級(jí)狀態(tài)經(jīng)濟(jì)狀態(tài)對(duì)比進(jìn)行模糊處理既然是超現(xiàn)實(shí)的純愛浪漫邏輯東北往事第二季最后男女雙方卻做出了極度現(xiàn)實(shí)的選擇面臨有限的困難輕易放棄了這段感情既然主動(dòng)選擇不在一起東北往事第二季最后的“在一起的想象便沒什么意義這是一場(chǎng)廉價(jià)的遺憾感覺影片的內(nèi)生邏輯是不愿意承認(rèn)維系一段感情需要兩個(gè)人誠摯的努力長(zhǎng)久的付出必然有所妥協(xié)和犧牲雖然形式艷麗色彩斑斕東北往事第二季最后只是給向往愛情的觀眾畫了一個(gè)貪婪而蒼白的大餅既無格調(diào)也無立意與其說表現(xiàn)了愛情的美好不如說表現(xiàn)的是愛情的脆弱
Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.