The roaring traffic's boom. Silence in my lonely room. I know that! That's from Shakespeare, right? Sir, would you stop for a second? 莎士比亞壓倒kitsch的最后一根稻草It's fall. By spring I'll have you up to 10. You don't think I was going to blow this moment, did you?
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C / 有太多即將滑向過于實(shí)感的家庭肥皂劇的時(shí)刻卻完全被有幾分神經(jīng)質(zhì)卻又仍是克制的表演扭轉(zhuǎn)并牽引出了頗為怪誕的語氣(米歇爾·威廉姆斯堪稱杰出)影片的吸引力正在于各個(gè)段落內(nèi)語氣的復(fù)雜演化以及瞬間的強(qiáng)度收束這種張弛運(yùn)動(dòng)讓俗套到極點(diǎn)的人物朝向影像帶來的潛在空間(某種面對(duì)其復(fù)本的彷徨脆弱與錯(cuò)亂)也阻止了影片滑向過于單純的迷影懷舊但問題是贅余物仍然太多整體依然太過冗長語氣的魔法終歸沒有戰(zhàn)勝肥皂劇的現(xiàn)實(shí)感——就像那最后突然獲得地平線主動(dòng)權(quán)的攝影機(jī)東北往事第二季并沒有從那欣欣然的美國夢式背影中幻化或提純出什么