All the secondary characters - past and present - in stories and stories within stories, write stories to realize themselves, tangible and fleeting like dreams.
野陽(yáng):106.94.236.70
好難過(guò)啊真的好難過(guò)攝影機(jī)一點(diǎn)一點(diǎn)把一個(gè)人剖開(kāi)模糊影像承載的傷痛一點(diǎn)一點(diǎn)清晰起來(lái)回憶特有的模糊不清的質(zhì)感和若有似無(wú)的遺憾告別本身是一場(chǎng)懸念父親倒在漂亮的波斯地毯上在夜色里撿起別人不要的煙頭獨(dú)自走進(jìn)大海里像鳥(niǎo)一樣用腳鉗住欄桿張開(kāi)雙臂垂頭嗚咽的背影真的很喜歡帶有脆弱感的男性東北往事第二季真的很喜歡拿近景對(duì)準(zhǔn)最細(xì)微的脆弱感真的很喜歡有人提起“當(dāng)我到你這個(gè)年紀(jì)的時(shí)候想起《nagoonimation_honkai》This is our last dance. This is ourselves, under pressure. / 入圍最佳男主提名了恭喜the one and only Paul Mescal.
透明春光:36.59.24.98
it's rare that we see Fincher shows any real emotions, wears his heart on a sleeve like this-albeit fleetingly, albeit he retreated back to his usual nonchalant self at the end-in his movies, this is fincher's Spartacus, undoubtably