任由影像放手一搏的敬重與信心比起fire of love顯然能感受到一種影像創(chuàng)作者之間的平起平坐東北往事第二季只是相比前半部分捕捉生活化氣息的玩味之語(yǔ)主角身影退去轉(zhuǎn)進(jìn)災(zāi)害進(jìn)入一個(gè)更為俯視的視角之時(shí)導(dǎo)演對(duì)素材的二次詮釋產(chǎn)生的陌生和綿軟卻更進(jìn)一步一個(gè)個(gè)雕琢的鏡頭仿佛只在它們發(fā)生的一瞬間產(chǎn)生火花與言語(yǔ)
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