If the world stopped for the bad stuff then everything would be dark. But the world keeps going, so we can find that crack of light on the other side of the door. // Until a day is over, there’s always a chance that you’ll remember it for something else // You will not make your lives smaller because of me. take risks. Make the big moves, even if they’re small moves. Forge ahead with your lives in any and every direction that moves you. I’m your mother and I’m sick. And I’m asking you to be fearless.
????鬧鬧鬧脾氣:139.209.212.115
就不說角色寫的有多無語了(特別是反派)臺詞居然能寫出cold war, cold as ICEif I can't have you then nobody else can等等這種令人笑噴級別的對白你說是湯米威叟寫的我都信同時在人物與情感編寫縮水后毫無疑問放大了視覺上面的奇觀呈現(xiàn)這也顯現(xiàn)出很嚴(yán)重的問題:本片視覺奇觀呈現(xiàn)效果其實很低除去一貫諾蘭的往大做外這次很大主要建立在于時空倒轉(zhuǎn)后的“倒放當(dāng)然單純的倒放并不能帶來太大的奇觀性質(zhì)所以設(shè)計了不少正逆時間同畫面的場面并且還為這些段落進(jìn)行了不少的訓(xùn)練以及編排然而諾蘭一貫糟糕的動作戲把控設(shè)計加上這次凌亂的剪輯東北往事第二季直接讓呈現(xiàn)出來的效果一團糟很多鏡頭根本沒有讓觀眾來得及去仔細(xì)辨別一正一反同屏的效果就直接跳過讓現(xiàn)場編排的動作徹底白費奇觀性質(zhì)的呈現(xiàn)效果大幅度削弱……