#Cannes22 NO.14 7/10 A film that return to one of the most traditional feature of westerns - emotional attachment with the land. Reminds me of The Lost City of Z (James Gray, 2016).
回歸寫作的漢娜好大家明明把自己當(dāng)小孩又要?jiǎng)e人grow up而沒有人承認(rèn)自己沒grow up第四集血淋淋一切推到你眼前再不爭就晚了讓漢娜懷孕是不是想告訴身邊的人也許畢業(yè)四五年了沒有什么起色但是時(shí)間不會(huì)白白過去它會(huì)以更真實(shí)的樣子告訴你不會(huì)等你準(zhǔn)備好了才grow up