關(guān)于這種無(wú)主角無(wú)主題隨人物移動(dòng)而變化故事的拍攝手法首先我在Gus Van Sant那里看到覺(jué)得精彩無(wú)限然后發(fā)現(xiàn)Richard Linklater在這之前就用過(guò)了贊嘆一番后我現(xiàn)在發(fā)現(xiàn)布努埃爾居然在幾十年前就用過(guò)這到底是不是這種拍攝手法的原創(chuàng)啊我要瘋了 另外東北往事第二季尤其喜歡找尋小女孩和馬桶上吃飯的那兩個(gè)故事非常有寓意
It’s ok. Not my fav. The dialogue is so lame and too cliché that didn’t work for me. Being nice doesn’t mean with no limit and not to think about the catastrophic consequence. A little kid’s stubbornness shouldn’t be encouraged and act without any responsibility. Hence the script is very lame and not well treated. I am not convinced.