ballroom culture在上世紀(jì)八九十年代成為以lgbt+群體為代表的亞文化進(jìn)入主流視線drag queenvoguing等系列“文化產(chǎn)物對(duì)fashion industryclassesrace relations產(chǎn)生巨大影響顛覆傳統(tǒng)性別二元認(rèn)知地下舞池的邊緣文化掀起了前所未有的文化革命當(dāng)然尚處于小眾發(fā)展時(shí)期的群體不可避免地經(jīng)歷“結(jié)構(gòu)性自相沖突過(guò)程--即“being femaleor“owning feminine characteristics的區(qū)別如labeija所言“having virgina doesn't means good life, it might be even worse(后期關(guān)于導(dǎo)演褒貶不一的評(píng)述以及影片視角的爭(zhēng)議似乎更為奇觀化)
啊原來(lái)那首很喜歡的When she loved me是出自這里那一段真的好難過(guò)呢第二部每一個(gè)玩具都更好笑了土豆先生和土豆太太哈哈哈可愛(ài)When she was lonely , I was there to comfort her. Every hour we spent together lives within my heart . 希望可以好好珍惜那些陪伴我們走過(guò)人生一程路的物品和朋友