好久都沒有看過感人的愛情耄耋老人對與妻子初次相見的細節(jié)記得分毫不差本以為還原的細微紕漏會是災難為之心懸一線意外的效果卻這么好愛女主角(像Gwen)不是喜劇吧幾次流淚最后真實的妻子場景反而不那么美好不是爛俗的HE也沒因為兒子在看編排狗血drama很好也很真實愛情是有保質(zhì)期的25年后真的不愛了老頭坦然接受很棒(我為什么有印象前面老頭說妻子死了一直以為這是后娶的直到白煮蛋+糖的時候還納悶怎么這個癖好一樣)我們都愛愿意去了解接受自己的人倆人談論波蘭往事的時候很美倒是編劇男主和女主的愛情I dont buy it配樂是個好東西我要開始探索70s的disco了Por Una Cabeza太好用了東北往事第二季尤其高潮部分情緒一下就被帶起來了被導演和女主圈粉了
Windom Earle as the embodied evil. BOB as the metaphysical evil. Dealing with the former makes for an embarrassing melodrama. Lynch knows the discussion of good/evil is meaningful only on a surreal level. And that's why Earle is so instantly dismissed as trivial in Lynch's Red Room. A kind of authorial revenge for the derailed episodes.