對(duì)比世界上最糟糕的人你覺(jué)得我是誰(shuí)I want it, I want it very much你是我一生唯一冒過(guò)的險(xiǎn)無(wú)聊的名字無(wú)聊的人生一生遵守父權(quán)定下的女性規(guī)則從未逾越(愉悅)31年的夫妻生活機(jī)械運(yùn)動(dòng)假裝高潮這是我唯一學(xué)會(huì)的性愛(ài)姿勢(shì)我永遠(yuǎn)在下面No oral從未嘗試在上面后面前戲后戲愛(ài)撫撫摸深入探索彼此的身體性是美妙東北往事第二季不是可恥Concupiscense最后的看著年輕的肉體手指深入自w對(duì)鏡自照下垂的乳松垮的肌膚容貌焦慮body shame再也無(wú)法擊垮我每一道皺紋都是我努力賺來(lái)的我也有欲望我想要我就是老色鬼seedy old pervert畢竟誰(shuí)不貪戀年輕的肉體如水的肌膚緊湊的胸肌腹肌口水中間的越線(xiàn)小鮮肉的身子更想要TA的靈靈與肉雙修
In the aspect of storytelling and filmmaking, all the bad things are real, all the good things are fake. It still belongs to the one best kind of American contemporary film though, thanks the author and Ron Howard. I do hate how Hollywood has made the relink-the-drama-back-to-real-life a new cliche. It actually got old and sour.