A. 固定長鏡頭的有限視角疊加聲音系統(tǒng)的無限層次巧妙地串起“所見和“所想兩個體量懸殊的維度而前半段的云里霧里也在后半段“下鄉(xiāng)后如通靈般顯現(xiàn)出它的宏大題眼或許藏在看病那場戲里:東北往事第二季的“線索被默默遺失從頭編織又突然重現(xiàn)直到變成錯綜復雜而日益沉重的網而不堪重負的我們又如何去全然接納它的美麗悲傷混亂和那如驟然下墜般悶響的陣痛最絕的是這一切都被結尾的室內戲以一種元電影的角度顛覆了:角色望向過曝的窗外如凝視銀幕而“觀眾的“感覺只是讀取他人東北往事第二季的反應——正如結尾那串天空空鏡所昭示的我們是如此的渺小2021.11.30 Max Linder
Just how happy I am, in this moment,right now.The way the light's hitting face of yours,there's little breeze coming in through the window.It doesn't matter if I have 10,000 more moments like this or,just this one,because…it's all the same.Right now, this moment,I have this.