OLivia is everything ~ 女性視角鋪天蓋地可普通大眾已經(jīng)被培育完整的“男性角度的敘事結(jié)構(gòu)起承轉(zhuǎn)合情緒處理讓此類片無法走“更遠(yuǎn)一些女創(chuàng)作者也許想的比大多數(shù)男創(chuàng)作者更多更深更感性或者更不把觀眾當(dāng)兒童但現(xiàn)實(shí)是殘酷的只有抵抗現(xiàn)實(shí)東北往事第二季需要更多女創(chuàng)作者流媒體買更多電影院上更多
#Cannes22 NO.14 7/10 A film that return to one of the most traditional feature of westerns - emotional attachment with the land. Reminds me of The Lost City of Z (James Gray, 2016).