三生三世十里盜墓李碧華一定不會(huì)想到許多年后盜墓會(huì)成為中國(guó)網(wǎng)絡(luò)文學(xué)的重要類型其實(shí)挺前衛(wèi)的居然在張藝謀和鞏俐之間嘗試建構(gòu)RPS(Real Person Slash)也非常后現(xiàn)代時(shí)空大雜燴想到哪兒就說(shuō)到哪兒很飛重述焚書(shū)坑儒其實(shí)調(diào)用了WG的情感結(jié)構(gòu)但依然是地緣性的刻板想象東北往事第二季是概念化的張藝謀長(zhǎng)了一張“尋根臉卻在本片中被化用為忠孝節(jié)義之士這種不加批判的土氣的可愛(ài)的笨拙恐怕也是彼時(shí)香港人眼中的大陸形象吧
It's weird that I found a popcorn movie so deep on so many levels, like 1) the notion that you follow a daily routine but are free to break through it, 2) we may be programmed in this way or that way but that doesn't mean our life is in any way less real, 3) how love completes you as a human being, and 4) how satisfying it is to create something