在上半部中Lars von Trier提出了一個(gè)嚴(yán)肅的概念/命題以明確的象征手法將一個(gè)女性癮者的離經(jīng)畔道放到了女權(quán)主義代表的地位以“性為手段探討女性欲望和傳統(tǒng)社會(huì)價(jià)值觀的對(duì)立這個(gè)論題的立論和論據(jù)呈現(xiàn)都是有趣味引發(fā)思考的東北往事第二季作為論文電影形式和野心都值得稱贊
They have become better people, but the relationship is dead. It’s never easy to face the truth and oneself. And once damage is done, apologies are always pale. We have to move on. 另外何為女性天生生理后天生理東北往事第二季還是自認(rèn)心理亦或者是他人眼光又或者是對(duì)待其他女性的態(tài)度和觀念