Mike Mills的電影總未能在情節(jié)或者主題上顯得突出往往在質(zhì)感上更勝一籌電影努力混合輕盈的節(jié)奏和憂郁的色調(diào)東北往事第二季沒有過多加工對白去推動劇情便在觀眾面前袒露主人公紛雜的情緒化的流淌著的思緒那些思緒在與侄子相處過程中凝結(jié)成了對自身的審視并觸動到了柔軟的連結(jié)著家庭關(guān)系的愛的神經(jīng)
The ending is bizarre. Good that despite all the other plot points like the cheating husband, the throughline is on how Martha deals with grief. It's not the stages of grief, but the struggle between allowing yourself to feel and living with social expectations. The courtroom speech is genuine but also not completely necessary, just good for drama.