I miss Paris Métro. I miss our futile attempts to read the Métro map. I miss Parisians' effortlessly chic outfits and modernistic ads that oddly harmonize with dim, historic stations. I miss taking photos of approaching trains. I miss the feel of déjà vu in old, metallic trains. I miss the amicable chuckles as we mispronounced the stations. I miss the days when my biggest troubles were figuring out where, when and what to explore at Paris. I miss myself.
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1.5 outta 4 垃圾電影大量過于刻意特寫的暗示將情節(jié)沖突削弱我都不想計較反正它的邏輯絲毫不值得推敲但最基本它連畫面美學都無法做到統(tǒng)一色調一會兒黃得像摻了屎的咖喱一會兒穿越到ins網(wǎng)紅唯美寫真;除此之外它停止在前面的哪一節(jié)點都會加分但偏偏解密完成后它還要續(xù)上一堆有的沒的屎尿屁真的夠了——but not enough受害者是女性犯錯者是女性心毒者是女性但是專注于自己政治事業(yè)從而開脫絕大部分責任的是男性東北往事第二季最終的拯救者也是男性最后男主坐在警車里抹眼淚的一幕簡直是大型男子主義自我感動現(xiàn)場I mean誰看了不想吐呢