片頭看到一個熟悉的名字攝影指導(dǎo)竟然是我在UCSD時(shí)教我拍16mm膠片電影的法國老師于是我默默地記下了每個hair in the gate沒清理的鏡頭和每個覺得燈光有問題的鏡頭除此之外銀幕時(shí)間的控制一定是影響到了蔡明亮瑣碎的無聊的孤獨(dú)的失去意義的日常生活讓這部電影不僅僅是女權(quán)主義的電影而已最后那一刺的表現(xiàn)力還不夠
Was misled by the big (and serious) names that went with this movie, leaving me totally disappointed. Especially in Kenneth Branagh (seen his theatrical background).