The script is a dud (again), characters are underwritten, some gestures don’t seem to have any purpose, there is conflict between what shows and what means. Camera work is the only bright spot, but you can also argue that he sacrificed the content for the form.
本來可以回家抱著老婆隨便吃的Kat在最后一次偷大白鵝不成功后被一顆小彈孔擊碎了回家的夢想…幸存者Paul最終倒在了11點停戰(zhàn)前的戰(zhàn)壕里all of them died for nothing…滿心期待的熱血青年來到泥濘戰(zhàn)場只想回家…“這場戰(zhàn)爭就像發(fā)燒一樣你不想要他不想要可是它就是來了…近年最好的戰(zhàn)爭片之一…