narrationOne of the ironies is that even though Scorsese is interested in the story's wider implications, he focuses so much energy on that unsavory romantic triangle that he and the film lose sight of the larger issues.
前大半部分不同個(gè)體展現(xiàn)酷兒群體的風(fēng)貌借托變裝舞會(huì)voguing和synth-pop七八十年代的復(fù)古奇觀元素HIV盛行下的恐慌環(huán)境(溫柔說(shuō)著自己的夢(mèng)想的薩麗在后一鏡迎來(lái)了在旅館床底的死亡)ballroom和地下文化是社群對(duì)主流的反噬基督教有福音堂落癮者有互助會(huì)LGBTQ同樣作為一個(gè)社群需要互相readshade的空間最后字幕和群像話語(yǔ)的交替配著一首got to be real借用里邊drag queen一句話:我不會(huì)選擇變性因?yàn)樽兂膳?面臨的處境甚至更糟