Body horror is the metaphor for visual pleasure. A critical reflection on where our species are heading if giving no limit to our exploitation of pleasure. However the film itself didn’t escape the fate of being part of the process, and me as the audience who already sat down, had no option of rejecting my role as the consumer of such content.
本來抱著看《《產(chǎn)科醫(yī)生》電視劇40集》的期待來看這個但是實(shí)在是比我期待高很多坐在BAM的劇場里面全程朋友和觀眾和我笑點(diǎn)相同凱特即是扮演自己又是超越自己的這點(diǎn)我對她的認(rèn)可比之前高這部電影實(shí)在是有很多層次我需要配著字幕再看幾遍片中的紐約和林肯隧道實(shí)在是很讓我relatable在柏林生活過的朋友看完也是想念柏林需要特別指出的是東北往事第二季雖然女主是姬但是這部電影深刻在不完全圍繞她的身份卻講述了社會環(huán)境怎樣將她塑造成這樣一個mansplainer/predator的故事超越一般對LGBT的刻畫非常intriguing and also realistic