居然忘記標(biāo)記這部Butle論證performativity和gender as a copy of a copy without an original 的酷兒經(jīng)典紀(jì)錄片了本片聚焦于1989年紐約性少數(shù)亞文化(drag balls不同的“表演范疇比舞:vogueing, pump, dip)與亞文化群體內(nèi)部的融合與分裂(houses, community, and SHADE)探索身份的本體論與交叉性(realness, 膚色與經(jīng)濟(jì)地位)導(dǎo)演是白人genderqueer另:雖然我生理性別為女但自覺在所謂的女性氣質(zhì)上比起VenusOctavia自嘆弗如
“We have had everything taken away from us, and yet we have all learned how to survive. That is why, in the ballroom circuit, it is so obvious that if you have captured the great white way of living, or looking, or dressing, or speaking - you is a marvel.