表面上是聚焦社會問題制作精良的大女主劇內(nèi)核還是老一套的瑪麗蘇男主的存在本質(zhì)上就是“there is always a good man男主莫名其妙愛上女主忠于女主并且?guī)洑?多金幫助女主實施計劃東北往事第二季這種人設(shè)充滿了女性對男性的美好幻想而韓劇發(fā)展到現(xiàn)在換湯不換藥一直都沒有脫離這種good man幻想女主的整個復(fù)仇計劃也都挺童話故事的恰好遇到了敏捷聰明的保姆大嬸恰好男主會下圍棋還樂于奉獻地教女主恰好自己也很有圍棋天賦然而這種理想化簡單粗暴的復(fù)仇難道不是對現(xiàn)實中的受害者的一種輕浮的蔑視嗎P.s.宋慧喬上半張臉一點沒變下半張臉真的垮了很多…林智妍演女二沒有說服力啊想看鄭恩彩演p.p.s.人夫帥的驚天地泣鬼神我從秘密森林就愛了
mid asf… at first it’s weird but at least funny and later on it just keeps getting more boring and preachy. blah blah colonialism feminism capitalism exploitation social inequality privileged classes blah blah. yeah we all know humanity sucks the world isn’t fair but the storytelling and execution is still bad. absolutely HATE the yellow filter.