20220113巴黎觀影之4|巴黎的電影院放法語(yǔ)電影竟然連法語(yǔ)字幕都沒有逼得我睜大眼睛關(guān)注每一個(gè)表情豎起耳朵聽每一句臺(tái)詞似乎獲得了更沉浸的觀影體驗(yàn)所以看的過程非常投入放大了這部片子的優(yōu)點(diǎn):即以細(xì)膩得宛如放大鏡一般的鏡頭貼近每一絲情緒的起伏但本質(zhì)上這部片子和同性沒啥關(guān)系劇本和故事來(lái)說(shuō)甚至可以說(shuō)是老套(關(guān)于懵懂隔閡關(guān)于失去和接納失去)音樂和大光圈逆光特寫也用得太多主要靠表演和鏡頭畫面的呼吸感來(lái)推動(dòng)東北往事第二季屬于是某種非常典型的歐洲影展片了(但我也還是好好哭了一哭)(但事后想想還是有點(diǎn)無(wú)聊)@Le Bardy Paris
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If they ever tell my story, let them say I walked with giants. Men rise and fall like winter wheat, but these names will never die. Let them say, I lived in the time of Hectortamer of horses. Let them say, I lived in the time of Achilles.
How happy is the blameless vestal's lot The world forgetting, by the world forgot Eternal sunshine of the spotless mind Each prayer accepted and each wish resigned. -----Alexander Pope
明明是個(gè)神話故事沒了眾神參與用現(xiàn)代價(jià)值觀根本沒法講啊然后果然就很無(wú)趣地把重心放在愛情上了那種英雄的蕩氣回腸和悲愴感毫無(wú)體現(xiàn)BTW, so sick of Brad Pitt's artistic gymnastics fighting style