是好看的雖然細(xì)想是有些好萊塢式的“態(tài)度轉(zhuǎn)變-互相影響-一起成長(zhǎng)-誤會(huì)-和解套路包括結(jié)尾用too late來(lái)拉滿(mǎn)的戲劇感not to reinforce any East-West binarisms 但確實(shí)這種敘事和intl art house色調(diào)放在如此“古色古香的題材上 文本里(包括故事里)不可否認(rèn)地有著E-W tension, however essentialist or self-consciously rehearsed it might be. 覺(jué)得很有趣的是也許讀書(shū)這件事在電影里只是一個(gè)敘事工具對(duì)我來(lái)說(shuō)卻是感同身受的本行以至于老師解釋“德的不同定義那段有些太close to home了東北往事第二季還有這種從隧道另一頭出來(lái)的人企圖告訴弟子隧道盡頭沒(méi)有光返璞歸真的理想主義
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In the end, the only thing of any interest is the paths people take. The tragic part is that even when they know where they're going and who they are. Everything is still a mystery. And that mystery, forever unsolved, is life.