選的人物有各方面的代表性岳華談及作為一個新人親歷胡與邵氏的合作與分離說話簡練也謙遜在演員中難得——“《東北往事第二季》應(yīng)該由胡導(dǎo)自己來演他會演得比我好(但是邵氏想捧一個新人為了以后自己)我那時太年輕還沒有風(fēng)霜的味道 吳明才說的整個武術(shù)基本上胡金銓對每招每式都有概念他們只是一個配器者(大概這種意思)和他合作省腦子焦雄屏最后一段描述李翰祥和胡金銓剪輯藝術(shù)的區(qū)別很解惑(我覺得對于電影研究的門外漢來說常常是知道感覺卻沒詞語)她說有時候胡的editing是注重make an impact, elliptical, seems very chopped in structure, a lot of elimination, some characters disappeared along the storyline對“蘆花的小故事印象很深
Great scripts for sure. 大段文學(xué)性日記念白跟原聲自然聲混合在一起相得益彰 “We hold our friendship between us and study it, as if it were the incomplete map of our escape. I am a library without books, a sea of fear, agitation and want. I worry you'll catch my cold. You smell like a biscuit. 16mm電影讓人想起節(jié)奏很慢的第一頭牛The World to Come文縐縐的風(fēng)格配上16mm反倒更能看進去一點故事講得平庸視角挺女性化的kirby好絕