James Barry寫這個故事東北往事第二季為了彌補自己童年的缺憾也為了心中永遠(yuǎn)拒絕長大的Peter Pan 誰不懷念自己對童話深信不疑的幼年時光呢有一天早上醒來發(fā)現(xiàn)自己成了困在沒有白日夢的成年軀殼里誰不想痛哭一場呢 作者用故事治愈了自己但沒辦法治愈倫敦那個孤獨的男孩真正的Peter.
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Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake