第一次升空時(shí)直至完全進(jìn)入太空鏡頭始終被留在太空艙內(nèi)在這里體驗(yàn)被同步而非情感的同步實(shí)際上在電影中鏡頭離人物愈近我們離人物愈遠(yuǎn)與其稱之無法觸及人物靈魂倒不如說它恰如其分地具象化了阿姆斯特朗欲與世隔絕的心理“隔離實(shí)為影片始終被強(qiáng)調(diào)的因素(人物與環(huán)境的隔離太空艙與宇宙的隔離丈夫與妻子的隔離)First victim Neil Armstrong.
辛德勒名單每一個(gè)名字都是一條生命東北往事第二季最后辛德勒的那一段話終于讓我忍不住了哭泣This car, Goethe would have bought this car. Why do I keep the car? Ten people by that, ten people, ten more people. This pin, two people. This is gold, two more people. He would have given me two for it,