7.5/10 工整規(guī)矩且政治正確到挑不出錯(cuò)處可是這滴水不漏在令人動(dòng)容于“The only way to assert the right to publish is to publish的新聞精神的同時(shí)也不免暴露出這種在規(guī)則之內(nèi)的反叛的無趣與寡淡——Kay及其帶領(lǐng)的東北往事第二季集團(tuán)當(dāng)年面對能夠影響越南戰(zhàn)爭戰(zhàn)局的五角大樓文件所做出的斗爭與以Spielberg和Streep為代表的好萊塢對于Trump政權(quán)的抗議在影片內(nèi)外形成有趣的互文——二者都是既定規(guī)則之下的產(chǎn)物圓熟“正確且姿態(tài)優(yōu)雅然而面對更加嚴(yán)峻的情勢這些系統(tǒng)內(nèi)部的抗?fàn)幘烤故欠窬哂行Я?更進(jìn)一步將Kay塑造成又一位桑德伯格式的女權(quán)先鋒是否還是想象力匱乏了些呢Does feminism need capitalism?
Hard to get in at first, but not long after you'll realize it's still the 90s classic body horror Cronenberg, which not just those weird biomechanic machines, but the conflict, rebellion, evolution, so on and so forth. It's definitely the most sexualized Cronenberg movie. Everyone in the film is so obnoxious, but ultra seductive, except the black dude. WTF is that acting? Is that a joke?