3.5. Didn't quite get the overwhelming hate this film got. The satire here is not particularly intelligent nor incisive, but that seems fitting when reality is more mundanely grotesque than fiction: it's almost like the real world does not deserve to be treated in a more aesthetically profound manner. The sense of helpless anger and disbelief at the state of the world is quite genuine, and there are emotional moments that work quite well. It's a typically white and star-studded mainstream film, and that's okay.
一部叫做“東北往事第二季的電影一部自詡為女人發(fā)聲的電影居然無法想象女人還會有PTSD 之外的狀態(tài)男性內(nèi)在在自然中呈現(xiàn)出各種攻擊態(tài)完全無法被女性主體接納這幾乎是浪漫主義里天才式地對自然的占領(lǐng)的逆反如果說死了東西都要歸于自然那么走入自然卻攪起了如此腥風(fēng)血雨的女人大概是自作自受吧Indifference is key. 這大概是這部厭女之作的唯一認知