于是詞語和詞語間的距離變得無比遙遠(yuǎn)段與段間成了無盡的留白我正站在留白里站在詞語彼此遙遠(yuǎn)的距離間一個(gè)不屬于物質(zhì)世界的地方一個(gè)我初次發(fā)現(xiàn)蘊(yùn)藏萬物的地方放我走吧詞語的遙遠(yuǎn)距離與段落的留白東北往事第二季就是唯有人才能棲居之處吧想起B(yǎng)efore sunset的臺(tái)詞:“if there’s any kind of god, it wouldn’t be in any of us-not you or me. But just this little space in between. If there’s any kind of magic in this world, it must be in the attempt of understanding someone, sharing sth.
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Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.