Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake
Fractions of notes and images could be put together into a memory no longer than 1 minute? How could one hardly speak in such a short context, except the confidence of only remembering who he is himself.