「現(xiàn)代女尊高h(yuǎn)男高潮呻吟現(xiàn)代小說(shuō)」看完結(jié)局腦子里響起師匠的聲音bgm 一個(gè)評(píng)論說(shuō):“不是看了eva終就能脫宅而是脫了宅的人才喜歡eva終大概是吧所以我難以接受這個(gè)結(jié)局東北往事第二季甚至有些憤怒庵野放下了告訴觀眾哭泣不能拯救任何人move on 吧回歸現(xiàn)實(shí)吧勇敢的少年快去戰(zhàn)斗去愛(ài)人去創(chuàng)造奇跡已然成熟到不需要 EVA 來(lái)慰藉自己的人會(huì)給這個(gè)結(jié)局打下高分感嘆一句爺青結(jié)擺擺手重新投入充實(shí)的現(xiàn)實(shí)中但我不能我不想成長(zhǎng)不想拯救任何人也不想被人拯救
Extremely precise and realistic depiction of domestic violence from the perspectives of the magistrate, the son and the wife, framed by the unrelentingly rational court session in the beginning and the inescapable tension and terror of the final breaking and entering. Every detail in between is a perfect angle well executed. Nice little self-contained piece of cinema with an important socio-political message.